OK, too much, too much! So here's where you can check out 4PLAY: TAMPA and SF in your own hoods this month ... all over the world. - Kyle
FOURPLAY: TAMPA
Cannes, France - World Premiere @ Director's Fortnight
Friday, May 20th @ 11:30 AM
Palais Stéphanie/Théatre Croisette
FOURPLAY: SAN FRANCISCO
Seattle Erotic Arts Festival - Short Film Showcase
Friday, May 20th-22nd - Various Times (see program link below)
http://seattle-erotic.org/short-film/
Mumbai, India - Kashish Mumbai Queer Film Fest
Thursday, May 26 @ 1.30 pm
Alliance Francaise de Bombay
Milano, Italy - Mix Milano Film Fest
May 25 - 29th @ Various Times (check program link below)
Piccolo Teatro Strehler
Hartford, CT (USA) - Connecticut Gay and Lesbian Film Fest
Saturday, June 4th @ 3PM
CineStudio on Trinity College Campus
Sunday, May 8, 2011
Monday, April 25, 2011
Saturday, April 23, 2011
4PLAY: TAMPA - Ritz Fundraiser - Sat (4/30) @ 1PM!

Don't cry, you can see FOURPLAY: TAMPA very soon if you live in Austin, TX! See link below for info on the AFS, aGLIFF and Alamo Drafthouse sponsored sneak peek fundraiser for TAMPA on Sat (4/30) @ 1PM! Be the first to see it ALL go down and help us finish the film! - Kyle
http://www.originalalamo.com/Show.aspx?id=8320
Tuesday, April 19, 2011
4PLAY: TAMPA @ Cannes!
OMG!!! I got the call yesterday that FOURPLAY: TAMPA will have it's international premiere at the Directors Fortnight at Cannes this year! I nearly fell out of my chair... then quickly got on the phone to congratulate writer Carlos Treviño, star Jose Villarreal, and producer Jason Wehling. It's going to be a crazy few weeks getting everything ready from now till May 9th when the print is due in France. Light a candle for us. Mon Dieu! - Kyle
Tuesday, March 29, 2011
4PLAY:SF BUTT int Pt 6 ... the last bit of wood
The last and final 4PLAY: SF blog entry and the final installment of the interview that art critic Andy Campbell did w/ Paul Soileau (Aliya in SF) and Chloe (SF sex-worker consultant) that was censored/aborted/rejected by BUTT magazine ... losers ... I love them! Anyway, big thanks to all you lovelies out there in the dark that take on the shame of others and transform it into healing connection, in whatever form it might take! - Kyle
Andy: Oh! I almost forgot to ask about you guys’ grandmas. Paul: Our grandmas? I told you it’d come up again. You thought I forgot.
Chloe: What do you want to know about our grandmas?
Well, do you have a special grandma name? Some people say Meemaw, some people say Nana, or Babooshka.
Paul: I have Mam-maw.
Chloe: It’s just Grandma with me.
Paul: Really, just Grandma?
Chloe: Boring, huh?
Paul: Mam-Maw works for me. It’s so country. We have the weirdest names. Like my godparents, I call them Nanny and Paw-ran. Nanny is my godmother and my godfather is Paw-ran. It’s Cajun French, I don’t even know what the hell it means. In Louisiana, that’s how we roll. It’s so messed up. I could go on and on.
Well, ladies, thank you so much. I hope it was fun for you.
Paul: Thank you. It was.
Chloe: It was so good for me. I’m gonna have a cigarette now, and I don’t even smoke.
Paul: I think I will too!
I am not going to have a cigarette, ‘cause that shit is disgusting. You smoke, Paul? Oh, yeah, I’ve seen you smoke. But you don’t smoke, right, Chloe?
Chloe: I do occasionally. I’m a social smoker, you know. The problem is that Chloe smokes. Scott doesn’t smoke, but Chloe does.
What does she smoke?
Chloe: It’s one of those perfect props – Export A’s, the gold ones. Export A Lights, from Canada. They’re short, sweet, to the point.
Paul: Very classy… Not Nat Sherman Fantasias?
Chloe: No.
That’s what Christeene smokes when she can get them, I guess.
Paul: I love those!
Chloe: She smokes OP’s, honey…Other People’s.
Whatever people give to her. She doesn’t have a brand.
Paul: That’s true…
Good night!
Thursday, March 24, 2011
4PLAY: TAMPA ... just another day ...


... at the office. A few more stills from the set of 4PLAY: TAMPA. We did a sneak peak rough cut screening at SXSW last week and "rocked the box". DP PJ Raval confirmed after the screening that we are all now officially going to hell so I think my work on the film is almost done. Photos taken by the lovely OtisIke. - Kyle
Wednesday, March 23, 2011
4PLAY: AUSTIN Atticus/Kai PT 03

Final installment of Atticus Rowe's (Kai in AUSTIN) interview. - Kyle 5) Finally, anything extra you'd like to share about the process and experience of making this film?
One of the most striking things to me about this film and script is how we all think we're special and OUR problems are different or more intense than others, but really they're not. I didn't know Carlos or Kyle before this film and yet, Carlos could write something that I felt so comfortable in.
All relationships face issues and problems and ultimately, they all come from being human. If you strip down what makes us different, there's something at the core that's the same and I hope that makes people able to relate to this film.
And, of course, I would like to share how wonderful everyone was on this project. The blend of professionalism and fun on set was a joy and I look forward to working with any of the cast and crew again. I remember sitting in an alley, in the heat, with our crew of about 6 people and looking up the alley about two blocks and seeing MACHETE (Robert Rodrigues' film) being shot and hundreds of people and trucks. Looking around at our little group and my busted bike and thinking, "we've got it made!"
Monday, January 31, 2011
4PLAY: Thought for the day...
Perusing readings for a class I'm putting together, stumbled upon this quote from Andrei Tarkovsky is his wonderful book SCULPTING IN TIME that I think pretty much sums up how about feel about the miniaturist "realism" movement still taking up too much space on the national film festival circuit. Life is MUCH bigger that these very small, unambitious, navel-gazing films. - Kyle
I think in fact that unless there is an organic link between the subjective impressions of the author and his objective representation of reality, he will not achieve even superficial credibility, let alone authenticity and inner truth.
You can play a scene with documentary precision, dress the characters correctly to the point of naturalism, have all the details exactly like real life, and the picture emerges in consequence will still be nowhere near reality, it will seem utterly artificial, that is, not faithful to life, even though artificiality was precisely what the author was trying to avoid.
Curiously enough the label "artificial" is applied in art to what unquestionably belongs to our ordinary, everyday perception of reality. The explanation is that the pattern of life is far more poetic than it is sometimes represented by the determined advocates of naturalism.
Andrei Tarkovsky
I think in fact that unless there is an organic link between the subjective impressions of the author and his objective representation of reality, he will not achieve even superficial credibility, let alone authenticity and inner truth.
You can play a scene with documentary precision, dress the characters correctly to the point of naturalism, have all the details exactly like real life, and the picture emerges in consequence will still be nowhere near reality, it will seem utterly artificial, that is, not faithful to life, even though artificiality was precisely what the author was trying to avoid.
Curiously enough the label "artificial" is applied in art to what unquestionably belongs to our ordinary, everyday perception of reality. The explanation is that the pattern of life is far more poetic than it is sometimes represented by the determined advocates of naturalism.
Andrei Tarkovsky
Tuesday, January 18, 2011
4PLAY: AUSTIN Atticus/Kai PT2

PT 2 of my interview w/ Atticus Rowe, who plays Kai in AUSTIN. - Kyle
3) What particular challenges did you face playing your role? Any fears you had to overcome?
As I mentioned, allowing myself to truly deal with issues so close to my own was scary, but ultimately it was a gift.
4) During the process of making the film, was there anything you learned about the world or yourself that you feel like sharing?
HA!!! I learned that I have a porn threshold!!! I remember when we first went into the "news shop", everyone was sort of giggling and cracking jokes about the title of a movie or toy etc. Then we started working and everyone was very professional and that settled down and we moved on to trying to get what Kyle was looking for. But at some point, it was if I had been looking at the Sun too long or one of those 3D pictures. It was floor to ceiling porn, everywhere. The only place there was not porn was the floor or the ceiling and I found myself staring at both. And I am by NO MEANS a prude. It was sort of like working on a green screen for a long time and your eyes start to "die." It was like I went from intrigue, to desensitized, to overloaded. I remember Kyle asking me to do something specific with my eyes and it was everything I could do to do it and ultimately, I don't think I could do it.
Sunday, January 9, 2011
4PLAY: AUSTIN Atticus/Kai PT1

A new year ... time to move on to the next FOURPLAY short, AUSTIN, which will be making it's way in the world soon. Simply put, it's the story of young couple, Kai and Lily, who debate independence vs conceiving over the course of an evening and arrive at a startling compromise. Below is part one of my interview with Atticus Rowe who plays Kai.
1) What were your first feelings about being approached to play your role in AUSTIN? First thoughts after reading the script?
My first feelings about playing Kai were apprehension and fear. Not because I was worried about being able to play the part or understand the character, but more because of the parallels that I felt with Kai's life and his relationship with Lily and the precipice at which they stood. It's quite a bit scarier to explore things that are true and meaningful, rather than playing at something you need to create.
2) What, if anything, helped you prepare to play your role?
I was recently married when we started production and I would say that the experience of having recently taken a big step and discovering what that step meant helped me significantly. It's funny how you may think, "Oh, I took this step. Now, I am here." and you think you'll stay there for awhile, but before you know it, you're either thinking about, talking about or taking that next step. There always seems to be a next step and if you are in a relationship and you respect each other, one tends to be waiting for the other to be "ready" and then when they are, the other may have backed off!
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